In her essay “Sculpture in the Expanded Field,” Rosalind Krauss argues that postwar American sculpture (and painting) has been “kneaded and stretched” until it became “infinitely malleable.”[i] Something similar takes place in the writing of the expanded fielder.
I cannot power through this book, like so many others before, for one simple reason: it powers through me.
. . . The Restless Writer stands tall as a pillar of alt-traditional literary gold . . .
Jared Alan Smith I once had a conversation with a Frenchman I’d just quit working for about the nature of American medicine: he said that each type of doctor has become so specialized that it is near impossible to find a physician to help with a variety of ills. When he asked me if I … Continue reading Writing In Great Places: Poetry At The Dali